A Minor Rebellion Moves Another Step Up The ScreenCraft Ladder…
“The scripts listed below comprise the semifinalists of the 5th annual ScreenCraft Screenwriting Fellowship, representing approximately the top 10% of submissions received.” Announcing the 5th Annual ScreenCraft Screenwriting Fellowship Semifinalists
And with that announcement, A Minor Rebellion takes another step forward in the Screencraft Screenwriting Fellowship contest…. more to come!
Posted May 19, 2018
A Minor Rebellion Receives Another Honor
Just found out A Minor Rebellion (the same screenplay that was just “officially selected” at the BH Film Festival) made the QuarterFinalist cut for the 5th Annual ScreenCraft Screenwriting Fellowship. Delightful to be culled out of over 2000 screenplays, so we’ll see how far we with get with this go-around.
You never know: perhaps with enough critical mass, this project will actually get made…wouldn’t that be swell? 🙂
Posted April 18, 2018
The Alchemy Of Noise Has a Release Date
When you’ve been a self-published author for as long as I’ve been, the journey from imagining and creating a novel to getting it on bookshelves, in bookstores, up at Amazon, Ingram, and wherever else you intend to sell it is a journey with which you become very familiar… because you’ve had to the research, and take, do, experience, and implement every single step along the way… all by yourself!
It is a learning experience, that’s for sure, one in which you… learn. Yup. You enjoy the autonomy, certainly the creative control, and the first go-around becomes a sort of industry adventure, where you try new things, make mistakes, get off-track then back on again, all in the spirit of venturing forth as a stalwart indie author doin’ it for yourself. When you see it up/out/over there, the sense of accomplishment is profound.
Then your second book comes, and you slog back in again… not as much learning as retracing steps, looking for new angles, balancing how to launch a new book while keeping the older one in play. You try things that worked last time that don’t work this time, find some new things that work like gangbusters. But the salient point becomes the fact that, once again, you’re doing it all by yourself.
Which gets lonely. You still like the creative control, but, damn; it would be nice to have a team, a company; the perfect mix of traditional distribution and know-how, with the indie spirit of collaborative creativity. Imagine my delight when I found such a company and they wanted to publish my third novel!
She Writes Press, an award-winning hybrid publisher founded in 2012 by Kamy Wicoff and Brooke Warner, came to my attention via another novelist whose book I loved, and I decided to take a shot with them. I was fortunate to meet and spend time with SWP president, Brooke Warner, at the San Francisco Writers Conference in early 2018, and was impressed not only by her passion and vision as a publisher, but her mission statement of fearless and creative innovation. I’m very excited to be part of their movement.
And I have just been given the release date for THE ALCHEMY OF NOISE: April 9, 2019.
We’ll be building a wide-ranging marketing campaign leading up to and through the launch, so I’ll be looking for advance readers and “street teamers,” near and far, who might enjoy getting involved in that effort. I’m also building my email list so I can keep those interested updated on all developments. Shoot me an email on either account (firstname.lastname@example.org) and I’ll be sure to get you in the loop.
So, yes, I’m excited; looking forward to what should be my next “new learning experience”: having a publisher, a “project manager”; a marketing and promotional team, all working together with me to set this book up as professionally, as artfully, as successfully as possible. I’m delighted to have the company.
Posted April 17, 2018
An Invitation To a Film Festival… the Beverly Hills Film Festival
Look at the gold box in the top-right corner of the screenshot below. Note the text highlighted by the amber oval… go ahead; I’ll wait until you enlarge the image enough to read those impossibly tiny words.
What’d you see? Yep:
Title: A MINOR REBELLION
Writer: Lorraine Devon Wilke
This, to the uninitiated, is the official announcement alerting the public that my screenplay has been designated a “2108 SCREENPLAY OFFICIAL SELECTION” for the 18th Annual Beverly Hills Film Festival.
Yippidity do dah day!
Though, frankly, I have no idea what that actually means or what might ultimately come of such an assignation. None. But, hey, in a world and business where far too little of one’s work ever gets anywhere, much less “selected” for the film festival of one of the most prestigious cities in the world, one doesn’t shake a damn stick at that sorta thing!
Unless plans change, I won’t be attending the resplendent Awards Ceremony at the Sofitel Hotel, so there’s no need to drag out my tiara or bemoan the fact that I look hideous in those fluffy red carpet type sleeveless gowns. There are a slew of interesting events and gatherings to which we’re given carte blanche, most scheduled at the iconic Hollywood landmarks of the Roosevelt Hotel and Grauman’s Chinese Theater, so that’s some fun stuff right there.
I get a big fancy badge, a free pass to everything besides the banquet, so I’ll see some movies, maybe sit in on a session or two (if you’re around Hollywood April 4th-8th and feel like festivalling it up with me, give me a holler!). But, to be honest, I don’t know what the Festival does with all these “selected screenplays,” or what might actually come of this honor. I don’t know if they have a cadre of skilled readers currently slamming through that hefty stack with an eye toward story arc and character development, focused on choosing whichever 120-page manifesto merits acknowledgement beyond “selection,” but whatever the protocol, it almost doesn’t matter.
Because, let’s face it: the reality of winning whatever it is someone might win in this vaunted scenario is miniscule, but still… how nice is it to submit your screenplay amongst thousands and actually have someone decide they like it enough to select it as a “selection”? That’s nice. It really is. So I’m thrilled.
For those wondering what the screenplay’s about, let me give you a short logline:
A former 80s rock singer is thrown back into her mysterious past when her boomeranging daughter secretly – and successfully – posts her old band’s music on the Internet.
Yep.. right there in my wheelhouse. 🙂
As you’d expect, it involves lots of music, 80s and otherwise; there’s a love story or two; it’s a good mix of humor and poignance, and the collection of characters involved would be a treat to see onscreen. So I hope the project garners some attention out of this honor; I hope it ultimately gets developed into a brilliant film, but I will be adapting it as my next novel either way, so no matter what happens, it has a life beyond this.
For now, I’m reveling in the fact that I can say “Beverly Hills Film Festival” and have it connect in some way to something I wrote. That does not happen every day.
Posted March 22, 2018
‘Fair warning… do NOT read this in public!’ – Latest Review of HYSTERICAL LOVE
“This is aptly named! This novel is HYSTERICAL! Fair warning….do not read this in public. There are places you will laugh out loud!”
I’ve always loved making people laugh… when it’s a book? Even better.
Click the link below for the latest review on Hysterical Love… and much thanks to Reeca Elliott @ “Reecaspieces” book blog!
“The characters in this tale are a hoot! I love the interaction between Dan and his sister, Lucy. True sibling interactions! And his mother….always wanting her dish back! 😂. But, my all time favorite is the tow truck driver! You have to read this to find out.”
To read full review: Hysterical Love by Lorraine Devon Wilke
Posted February 26, 2018
A LITERARY VACATION Book Blog Profiles My IndieBRAG Awarded Novels
IndieBRAG is a literary organization made up of large groups of readers, both individuals and members of book clubs, located throughout the United States and in ten other countries around the globe. Their mission is to seek out, support, and help market independent authors and their books, and one of the ways they do that is with their BRAG Medallion, an honor bestowed on select books. I’ll let them explain that process:
All ebooks brought to the attention of indieBRAG, LLC are subjected to a rigorous selection process. This entails an initial screening to ensure that the author’s work meets certain minimum standards of quality and content. This initial screening may involve a review of sample chapters available on Amazon.com (or other on-line booksellers), or portions of the nominated ebook. IndieBRAG, LLC reserves the right to reject an ebook during this initial screening assessment for any reason in indieBRAG, LLC’s sole discretion. If it passes this preliminary assessment, it is then read by a selected group of members drawn from our global reader team. In both the initial screening phase and, if appropriate, the subsequent group evaluation phase, each book is judged against a comprehensive list of relevant literary criteria.
I’ve been honored to have both my novels, After the Sucker Punch, and Hysterical Love, awarded the BRAG Medallion, and with that honor came the attention of a popular book blog, A LITERARY VACATION, who’s just posted a profile on my books.
You can find that profile, with links, details and lots of information on both books, right here: Spotlight on the Books of B.R.A.G. Medallion Honoree Lorraine Devon Wilke
I’m delighted to have my work acknowledged—thank you, Colleen Turner—and I look forward to connecting to new readers!
Posted January 19, 2018
NEW Photography Reel Features Collector Favorites
When you lead an eclectic creative life, as I do, you sometimes find you’re giving short shrift to one arena while focused on another; for example:
Taking off for four months to be in a new musical (however exhilarating and joyful) does leave less time to promote your indie novels. Pounding pavements in search of publishing opportunities for a new book (less joyful 🙂 ) does demand enough energy that street shooting can get lost in the shuffle. Staying current with current culture will often distract from the craft of art. That sort of thing. And there really are only so many hours in a damn day, despite my arguments to the contrary!
I’ve been told throughout my career that I’d be wise to streamline my focus, choose a medium and stick with it; at least come up with a theme, a brand; a niche. But for whatever reason, and for better or worse, my artistic DNA does not seem to allow it. Never has. I remain convinced that ALL of art tells a story and that’s my gig: telling stories. However I choose to tell them. Hence, the eclectic nature of it all… including my photography.
And given the need to breathe some fresh life into that part of my creative arsenal, and because this medium has been tickling my brain more in recent weeks, I put together a reel of various images that have garnered the most attention from viewers and collectors over the years. Many are personal favorites, some are new, but all reflect my endless fascination with the world around me. Click the video below to enjoy the selection.
As for my gallery at-large: while I’ve been fortunate to have my work shown in the Los Angeles Center of Photography in Hollywood, CA; Chung King Road Studio in LA’s Chinatown; in Your Daily Photograph features via the Duncan Miller Gallery; at the Griffin Museum of Photography outside Boston, as well as displayed in a variety of office buildings, private businesses, and on hearths and walls of many a private home, virtual viewers can click to my site at Fine Art America to enjoy the full panoply of where my eye has taken me…
Video soundtrack: “Angel Share” by Kevin MacLeod (incompetech.com); Licensed under Creative Commons: By Attribution 3.0; http://creativecommons.org/licenses/by/3.0/
Posted December 26, 2017
HYSTERICAL LOVE Honored As Finalist in American Book Festival’s ‘BEST BOOK AWARDS’
From the official press release:
|LOS ANGELES – American Book Fest has announced the winners and finalists of The 2017 Best Book Awards on November 9, 2017. Over 400 winners and finalists were announced in over 90 categories. Awards were presented for titles published in 2015-2017.
Jeffrey Keen, President and CEO of American Book Fest said this year’s contest yielded over 2,000 entries from mainstream and independent publishers, which were then narrowed down to over 400 winners and finalists.
Keen says of the awards, now in their fifteenth year, “The 2017 results represent a phenomenal mix of books from a wide array of publishers throughout the United States. With a full publicity and marketing campaign promoting the results of the Best Book Awards, this year’s winners and finalists will gain additional media coverage for the upcoming holiday retail season.”
Winners and finalists traversed the publishing landscape: Wiley, McGraw-Hill, Houghton Mifflin Harcourt, St. Martin’s Press, Penguin Random House, Hachette Book Group, Rowman & Littlefield, New American Library, Forge/Tor Books, John Hopkins University Press, MIT Press and hundreds of independent houses contributed to this year’s outstanding competition!
Keen adds, “Our success begins with the enthusiastic participation of authors and publishers and continues with our distinguished panel of industry judges who bring to the table their extensive editorial, PR, marketing, and design expertise.”
American Book Fest is an online publication providing coverage for books from mainstream and independent publishers to the world online community.
American Book Fest has an active social media presence with over 96,000 current Facebook fans.
A complete list of the winners and finalists of The 2017 Best Book Awards are available online at American Book Fest.
General Fiction Honorees listed HERE.
Of course I am delighted. Hysterical Love is one of my favorite creations as an author and I hope you’ll enjoy a copy of your own… click HERE.
Posted November 9, 2017
Honored to Be Included In University of Illinois 150 Year Anniversary Tribute
Hats off to the University of Illinois, celebrating 150 years. The place where I leapt into adulthood, learned how diverse the world is, and launched what has been a wild and wonderful creative journey!
Delighted to be included in the tribute, my piece is HERE. Just click and wait a second for my tribute to come up.
Posted: November 1, 2017
Sale Away: HYSTERICAL LOVE @ 99¢ Through 10.14
From Amazon’s “From the Author”:
Your debut novel, After the Sucker Punch, also dealt with family secrets and estranged parent-child relationships. What is it about these themes that intrigues you? They’re relatable, almost always a mix of humor and drama (great fun to write!), and probably the most universal themes in existence. We all have a family of some kind, so there’s always something within the politics of that group that will resonate with most readers.
How did growing up in a big family influence your work? It gave me an insider’s seat in the dramatic and evolving culture that is a big family, allowing me to observe and explore those dynamics in as natural and experiential a way as possible.
Dan is a male protagonist with a strong, quirky perspective. Was it a challenge to craft such a well-rounded male character? I have five brothers, a son, a husband, many male friends, and I spent years on the road in rock bands… I got my male bona fides! 🙂
What do you think is the most important part of Dan’s personal odyssey? Finding truth. Within his romantic relationships, his work, his family, and, most importantly, himself. Truth is always the grand prize.
What inspired you to write Hysterical Love? An anecdote was shared with me by a guy who briefly fixated on his father’s old girlfriend, sparking a compelling, “what if he actually made it a quest?” Folding in the notions of lost love, enduring heartbreak, and defining the validity of soul mates, a story emerged that ultimately became Hysterical Love.
You’re an author, a former rock-and-roller, a photographer, a singer-songwriter, and you’ve worked in theater and film. How do you feel these diverse experiences have influenced your writing? Each element of my creative life has given me unique perspective, amazing stories, and always compelling characters. I’ve dipped and double-dipped into each to flesh out and enrich my books. It’s like living your own research!
What (or who) were some of the biggest influences on your literary career? An early childhood without TV led to voracious reading, which inspired a passion for words, narrative, good stories, and great writers. So I guess you could say that not being able to watch Mickey Mouse inspired my writing! 🙂
Which types of characters do you enjoy writing the most? The more human, flawed, heartfelt, real, irreverent, funny, and seeking, the better!
What drives you to write? A desire to tell a story, express my thoughts, make a point.
Do you have an overall goal as an artist in general, or specifically? To create meaningful, authentic work that inspires, entertains, and provokes thought… and to reach the biggest audience I possibly can in accomplishing that.
What is the number one thing you hope readers take away from your book? Emotion. Feeling something. Being moved. I know… that’s three things! ☺
Thank you for choosing Hysterical Love. It’s a story I thoroughly enjoyed writing, exploring characters, ideas, and plot twists that dug deep yet still found the humor in it all. I hope you enjoy the read!
For independent authors like myself, the support of readers is essential. In that spirit, I invite you to leave a short review of Hysterical Love at the Amazon purchase page once you’ve finished reading. Positive feedback goes a long way toward advancing the cause of writers and indie publishing in general, and I thank you in advance for your contribution!
Yep… all that. And thanks!
October 12, 2017
Photo by Dillon Wilke
HYSTERICAL LOVE Wins Solo ‘General Fiction’ Medal in New Apple Awards 2017 Contest
While I’ve been busy polishing, tweaking, and parsing notes from editors and readers on my third novel, as yet uncertain as to how and when it will be published, I was delighted to learn that my last novel, Hysterical Love, was chosen as the solo medallist in the 2017 New Apple Awards Summer Ebook Contest.
This is particularly gratifying when one considers the sheer number of indie books submitted for such honors, in a marketplace where acknowledgement for the self-published book can make all the difference.
New Apple brands itself as a company “dedicated to helping independent authors find their way into the world of publishing.” I applaud their mission and hope this honor, for which I’m deeply grateful, will introduce Hysterical Love to a wider audience of appreciative readers, opening doors for me to publishers and others in the industry intrigued to see what’s next… stay tuned!
August 18, 2017
Book cover design by Grace Amandes
Singing with Sixth & Third
It’s been an interesting summer since The Geeze and Me closed.
After four months of intense involvement, a month of back and forth to San Diego to complete recordings and tidy up post-production bits, I was back home to my writing space, with a summer wrapped around family trips and events, and a calendar alarmingly bereft of scheduled activity. Lovely, and though I appreciated the overall ease of each day, I couldn’t help but feel a bit adrift.
But as life is wont to do, over time I found my LA feet again. Knowing a transition needed to be made, I got back to shopping my latest novel to literary agents (there’s a Sisyphean task!), attempted a few journalistic pieces that weren’t about Donald Trump (uninspired at the moment… no one seems to be reading anything but); leapt into rebuilding my LA actor’s platform, which meant reactivating my SAG-AFTRA card, finally getting my Equity card, and getting out on auditions. I remember now how much fun that is, auditions…
But, seriously, it is fun to be approaching that beast of a medium from a very different age and time of my life. We’ll see what I’m able to make of it.
But the most joyful turn on the “what do I do next?” agenda involves the poster above. The tall, stately man behind me is my brother, Tom Amandes, who is an actor extraordinaire; director, brilliant editor (he edited two of my novels), and a wonderful, passionate pianist. He approached me with the idea of “putting together a set of tunes”—in the right keys, with some semblance of arrangement, and players who’d help flesh out the sound, something we’d never managed to pull off prior—and not only was I touched that he wanted to collaborate on such a project, I was thrilled.
Because there is nothing—I mean nothing—more creatively, emotionally, and viscerally exhilarating to me as an artist than singing. I love writing (love it); acting can be loads of fun; dancing (as long as the bar is low) is always a hoot, and photography is a personal passion, but singing…
From the moment I discovered musical sounds came out of my mouth in some kind of pleasing fashion, singing has been my singlemost cherished gift as a creative person, something to experience whether alone in my car, performing for a houseful of guests, or bounding across stage in a big concert hall. It is pure, channeled, emotive expression, and to once again, starting with The Geeze and Me, have opportunity to pull it into the sphere of my life is this year’s greatest gift.
So… Tom’s and my project: we’ve named it Sixth & Third (birth order… you can figure it out); we’ve got my dear old bandmate, Jeff Brown (from my original band, DEVON… yes, the one from the 80s!), on guitar, as well as Tom’s son, Ben (a talented, intuitive musician), on cello and guitar… for the time he has before heading back to the University of Chicago. I’m trying to convince him school is far less exciting than playing in a band with his aunt and father, but so far, though he smiles, he remains unconvinced. Either way, I’m delighted to have him for the time we do and what happens afterwards will be the next adventure.
For now, we’ve put together a select list of originals (mostly mine, but one of my hubby’s), and a few handpicked covers we love. We’re playing a private show at Tom’s house, a fabulous performing space, soon, and once we sort out where we might want to take it after that, we’ll explore other ideas.
All I know is this: singing is back in my life; I won’t let it go again. I may not have reached the rowdy pinnacles of fame and fabulousness I planned while lying on my floor listening to Janis Joplin—I had planned to be the next Janis Joplin!— but what I do have—the joyful collaboration of people I love, songs that mean something to me, and the opportunity to share both with welcoming audiences—is true elation.
More as we go.
August 31, 2017
Photo by Nancy Everhard-Amandes
The Party’s (Almost) Over… But the Beat Will Go On
You know that very first moment of a cherished experience—a vacation, a trip, an adventure—when you gleefully acknowledge that you’ve finally arrived, you’re there, it’s starting, and you’ve got the whooooooole event in front of you just waiting to unfold?
That’s always been a favorite moment of mine; the beginning of something; something anticipated, looked forward to. The moment when you recognize the bounty of your circumstances, flush with the sheer breadth of time you’ve got in your grasp before the days and weeks tick by and you start looking at the calendar, counting down…
That’s how I felt January 3rd when I arrived in San Diego to start my four-month stint as a performer in the new musical, The Geeze and Me. I’d been sent off with enthusiastic support from my guys at home, arrived in SD to find my procured quarters a delightful abode, and my first official show meeting with B.J. Robinson, the musical director of the show, who could not have been a warmer, more joyful introduction to this anticipated chapter.
From there the months stretched ahead, long and leisurely; weeks to explore a new city, spend time with new friends (and old); day after day to revel in a creative reality that was both sharply reminiscent and refreshingly new in this new period of my life. As I traveled back and forth from San Diego to Los Angeles at the end of each week’s rehearsal schedule, I marveled at how quickly I assimilated into my two-city reality: happy to see my family for the time I had each week, excited to get back to the show Monday night. Even as the days rolled by, I remained blissfully aware that there were still so many of them ahead, months ahead, plenty of time for singing, dancing, scene work, collaboration, the creative process, laughing (so much laughing!)… and it was all so good. Even the not-so-good moments, which every show has at some point, were intriguing because they, too, were part of the process I was rediscovering (and were luckily outweighed by the so good!).
But clocks tick and calendars flip, and there’s that inevitable next moment when you acknowledge time: The moment when what’s ahead is less than what’s behind. You begin parceling out activities to make sure you get them all in; you make comments like, “let’s be sure to get together before I head back for good,” and the sheer exhilaration of the work, the performing, the audience interaction; the cast members you’ve grown to love, all become more precious for your realizing that “abundant time” has whittled down to weeks… then days… until the final countdown begins.
That’s where we are as I write this piece: counting down the last days of this journey, feeling the bittersweet tang of knowing it will soon be over: The Geeze and Me has its final three performances this Thursday, Friday and Saturday. As far ahead as that denouement seemed when I arrived on January 3rd, it is now upon me and I’m… well, not to be too dramatic, but I’m bereft.
Not because I’m going home—I look forward to wrapping myself in the warmth of my family again, my house, my neighborhood; my view of the ocean each morning. Being home. But I’d be lying if I said I was ready to leap back into my life as it was, my life without the kind of creative collaboration the last four months have afforded me.
You see, it has been a very long time since I’ve had this intense of a creative experience over this long a period of time—since I did plays, made movies, worked in theater companies, sang in bands—and the resultant effect has served to waken the sleeping diva in me (and I mean diva in the purest sense of the word—the lead singer, the creative adventurer, the artiste—not the high-maintenance harridan demanding special treatment, I promise!). And that awakening leaves me now, at the end of this transformative experience, not only bereft, as mentioned, but a little befuddled.
What do I do with her when I get home, home to my “writer’s life,” a place of solitude and introspection, where I think and compose, spend quiet time with family, and enjoy the peacefulness of walks by the ocean? My Awakened Diva will not necessarily embrace that solitary life as being… enough. It no longer feels enough. It feels like a wonderful addendum to what is enough, but the part of me that spent the last four months remembering that I sang, I acted, I expressed ideas out loud; I regularly engaged with exciting, creative, hilarious people who seemed to think I was all those things too—well, that part of me now has to service the Awakened Diva… and I don’t know how. Yet.
But I gotta figure it out. Because I now recognize, I’ve been reminded, that she is an intrinsic part of who I am, the soul of my creative being, the essence of the person who not only does what I was doing before the last four months, but who rediscovered the self that brought me, breathless and anticipatory, to my city by the sea as a young girl, driven by dreams designed by my Diva, dreams that, in recent years, got buried for reasons many artists encounter: artistic obsolescence, opportunity deficits, ageism; ground-shifting life events that demanded life-changing plans. I have no idea how to transcend all that in this new, awakened period of my life, but I’m inspired to find out.
Until then, I still have three more nights of this glorious show. Three more opportunities to sing, dance, laugh, act; feel the excitement of creating art, of touching audiences, of reveling in the talent and expression of the many wonderful people with whom I’m working. Yes, I am counting the remaining nights, days, hours left, but I’m not neglecting the joy factor of what’s still to experience. I’m going to pay attention to every remaining moment so that when it does finally end, I won’t have left out a one.
Then I’ll pack up my car, head north to Los Angeles, tuck back into the love and warmth of my family, and ponder all that’s happened. Where me and Awakened Diva go from here…. cuz the beat does go on, doesn’t it?
All I can say is: keep walking to your own and I’ll let you know where mine leads next!
If you’re in the San Diego area and would like to partake of whatever tickets are left for this week’s shows, April 27-29, go HERE for ticket information.
April 24, 2017
THE GEEZE & ME OPENING FRIDAY, MARCH 31ST… Enjoy the First Production Shots!
… BACK ON THE BOARDS WITH NEW MUSICAL, THE GEEZE & ME
“The Geeze & Me” is a funny, irreverent, and poignant original musical. This timely show features a comedic troupe of eccentric players who team up to wrangle aspects of aging from an expert. An eclectic blend of songs ranging from pop to blues to corner street doo-wop, accompanied by innovative choreography. The perils and benefits of growing older are reflected in the concerns of this diverse group of people.
Think “Hair,” after it’s gone.
YEP. That’s me… one of those “eccentric players.” Back on the boards again after a decade or so off; singing, acting, dancing like the theater maven I used to be, inspiring the question: “Is it like getting back on the bike?”
It is. And isn’t. It’s better than that. It’s like getting back on the bike and discovering the bike became more precious in the interim.
I was always a dramatic child. From the moment my mouth opened and started expressing itself, my mother called me “Sarah Bernhardt,” her passive-aggressive way of telling me I was pushing the limits of emotive enthusiasm.
But when you’re one of eleven children, and every one of those is loud and unfettered, you have no choice but to be assertive getting your points across. And I was assertive, whether doing basement plays, church folk songs, college theater majoring, or kicking ass as a rock & roller.
There’s just something about singing and acting that’s always been exhilarating to me. I know you other performers know exactly what I mean. That sense of channeling thought and feeling through your limbs and legs and vocal cords in ways that are physical and purging and yet can still convey fragility or love or anger. I remember moments of feeling so high (and with no enhancements involved) just standing in front of band or orchestra, singing my lungs out with soul-cleansing abandon. It’s a stunningly visceral experience and when I stopped doing it a while back, for reasons to do with lack of opportunity or heightened selectivity, it felt as if I had to adjust my breathing just to get enough air. Strange how that works.
Writing has been a lifetime Muse as well, as many of you are aware… a joyful one, a deeply satisfying one, but one of quieter comportment. More solitary and less collaborative. And I missed that collaboration, that madness particular to creating within a group. So as I’ve joyfully written, I’ve kept an eye out for opportunities. And one finally came my way… in the form of The Geeze and Me.
My pal, Nancy Locke Capers, my very first girlfriend made when I moved to Los Angeles as a toddler (okay… a young-twenty), has been living in La Jolla (near San Diego) for decades now, and, unbeknownst to me, was years into creating a musical with her very musical husband, Hedges Capers. Hedges, whose pedigree as a singer/songwriter is long and impressive (you can catch up with both their careers by clicking HERE and HERE), had an astonishing repertoire of songs—witty, clever, soulful, kickass, heartfelt songs—that literally oozed with narrative, and with those bones, he and Nancy created a witty, clever, soulful, kickass, heartfelt show analyzing, defining, debunking, and celebrating the “vicissitudes of aging.” They titled it, The Geeze and Me.
We were sitting together at a friend’s wedding when I first heard about the show. Over, I believe, arugula salad with rosemary croutons, they asked if I’d be interested in getting involved. Interested? I felt old muscles perk up, dusty lights blink on; vocal cords vibrate with hopeful anticipation. Involved? OF COURSE! But it was reading the script, and, particularly, hearing Hedge’s songs, 20+ songs, that sealed the deal. The singer in me was tantalized, the storyteller impressed; the emoter wanted nothing more than to get out on whatever stage these two put together to sing those songs. I was in.
Now, Nancy and I have done many a production together, from collaborating on a feature screenplay (which was quite good, mind you), to working within the theater company at The Alliance Repertory in Burbank, to the premiere of an odd and hilarious play called Buried Together at Theater at the Improv in Hollywood (which Nancy directed). So our history as collaborators is long and storied. I trust her sensibilities, both artistically and personally, and know how great she is to work with. I also knew her years as a therapist would imbue her writing and directorial vision with deep understanding and wisdom. In fact, I love what she personally had to say on that topic:
As a writer, I was hoping to bring energy to the musical landscape with something fresh and new: a story with a post-modern structure, exploring the territory of intimate relationships as we age, personal loss, and the crossroads of adaptation and holding on. We plumb the ground of friendship, illness, sexuality, loneliness, personal dreams and anxieties. Oh…and make it funny!
I’ve tried to balance reality with a surreal quality of personal transformation, which I’ve witnessed during my many years as a psychotherapist. Working with a dream cast and the many collaborators who bring abundant creativity to the table is a thrill.
As for Hedges… well, he’s all heart and soul: on his sleeve, in his words, woven throughout his music. A consummate artist, he’s put everything he’s got into this production, from creating the projections, to supervising set builds, to collaborating on the script, to designing the production, but, damn… it’s those songs! He seems to have a well of inspiration unlimited both in depth and breadth, the show’s repertoire evidence of that astonishing creative spectrum. Being able to perform songs that are everything from absurd, to funny, to provocative, to rip-your-heart-out tender is a gift for any performer. So I feel gifted to be there, to be working with them, with the incredible staff they’ve assembled, and certainly the amazing cast of actors and singers who impress and delight me daily.
Of course, I’d love for all of you to find a way to San Diego during the run: March 31st—April 29th. You can check the website for details, get connected to the show’s Facebook or Twitter pages for updates, and certainly you can contact me. Believe it or not, there are several nights that are already sold out, so if you’re planning to get there (and San Diego is a great place for a weekend field trip!) click HERE for available dates and ticket information.
So there you go… that’s my latest. Getting on with the act of creating during this strange and trying time in our country, and so grateful for the opportunity. Thanks for catching up, rehearsal’s in an hour; gotta go warm up the cords (damn, this is louder than writing books! 🙂 )
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