My Marketing Sabbatical and the Blog Merge

– where I am these days
– where I am these days

At the end of 2015, after four-plus years of relentless and seriously focused book marketing and promotion, I took a step back to assess. I looked at the results of those many efforts — the sales stats, reviews, editorial coverage, contests, book shelves, etc. — to determine if they’d netted the desired results.

In some cases, they had; in others, not so much.

Now, I’m proud of my books, thrilled with the responses they’ve received, and, at least up to that moment of revelation, had been willing to do whatever it took to properly feed and nurture them into being. But I couldn’t deny it: something had changed. I wasn’t enjoying the process; the unceasing demand for self-promotion had become off-putting, making the books I created, the books I loved, feel like demanding children around which I ran ragged in the effort to keep happy.

Well, not them, but the great big world of book marketing, that swirling cauldron where hundreds of thousands of beloved creations go to get lost in the morass of self-published product. I’d lost my jones for that thing. Not the writing thing, the self-promotion thing.

While traditionally published writers have a team, a village, a circle-of-wagons —of agents, publicists, publishers, managers, etc.—the indie writer has… well, only themself. And “themself” has to do it all: the endless tweeting and Facebook posting, the free/bargain giveaways now demanded by readers; the listing on every indie book site one can find, the entering of countless (and not necessarily cheap) contests, the chasing after book stores, editorial reviewers, any reviewers; the exploring every which way to gain new and loyal readership, the—oh my God, it exhausted me just writing that!

It can be fun, yes; to some extent, and certainly in the beginning when you’re all positive and gleeful with certainty that you’re cracking the code and people are gonna LOVE what you’ve created. And surely it’s an education in the world of building a business, learning how and what works or what doesn’t. It’s a good practice to experience, to work, to absorb. But over time, at least for me, it can also become a slog.

And, I hate to say it, it’s become a slog.

I’ve also noticed this: people get tired of book promotions. They get desensitized to them. They don’t care after a while. Sometimes, they even find them annoying (as a few have mentioned while asking to be removed from my emailing list!). Because, unless you can can corral an endless supply of new readers via book tours, regular in-house readings at bookstores, book Meet-Ups, festivals, social media, etc. — the rest of ’em, the ones in your Facebook or Twitter circles, the ones who’ve already read your books or aren’t going to read your books, well, they’ve already heard about them. They’ve seen your posts, they’ve read about your promotional campaigns, they appreciate your efforts but they’ve grown tired of hearing about them. And not just mine…everyone’s. Because book promotions on social media have become RELENTLESS. And people have largely stopped paying attention.

I’ve not only heard this from quite a few writers who’ve experienced the same, but have noticed it as a tweeting, Facebooking, Pinteresting, Google+’ing person myself. It seems we indie writers come in such prodigious numbers that our bombardment of readers, other writers, and social media followers has ended up inuring them to the message. They see a book promotion — a “read my book,” a new book review, an interview with so-and-so — and other than the most loyal of fans, or the most commiserating of fellow-writers still paying attention, interest is less than one would hope. It’s gotten to the point that even some who’ve championed, say, Twitter as a go-to place to promote indie books have come to notice the downward trend. Derek Haines of Just Publishing Advice writes:

“My Twitter accounts that are directed more at readers have plummeted from around 120 new followers per day a year ago, to struggling to attract 20 to 40 now.

“What this means is that new self-published authors are still clearly flocking to Twitter to talk to each other, but general interest users and potential readers are not. While this can be blamed directly on Twitter failing to attract new active users, it could also be a signal that the supply side of the ebook market is now outweighing demand.” [Emphasis added.]

That’s kind of how I see it myself. Because, the truth is, as much as I read, I rarely find my books via Twitter or Facebook. I find them perusing Amazon, reading an article in Entertainment Weekly, or getting recommendations from friends. In fact, I tend to ignore most book promotions on Twitter or Facebook, weary, like everyone else, of bad cover art, unappealing quotes, and reviews that sound like Mom wrote them. Mostly, it’s just too much, the onslaught of book promotions… it makes one shut down rather than get inspired.

But I get it! We indies have no choice but to do it for ourselves. Unless we don’t. Unless we just decide to take a marketing and promotional sabbatical to reassess the marketplace, to carve out a little breathing room, maybe create a vacuum so interest can be re-stirred later. Maybe write another book. Maybe spend some time finishing that photography project or doing a play. Maybe just replenishing by reading some ozark trail cooler reviews to take with me while walking on the beach.

That’s what I’m doing right now, for those who’ve written wondering where I am and why I’m not posting much. I’m taking a sabbatical. Doing a few other things. Dealing with some life events, immersing myself in other projects, gently stirring my third novel, and generally NOT marketing and promoting my two already-published books.

Has it had an adverse impact? I don’t know… I’m not paying much attention at the moment; I’m hoping interest in the work will sustain while I’m living my life along other avenues for a bit. If not, they’ll have to wait until I’m ready to rumble again. In the meantime, oh, do I enjoy the feeling of not obeying the obligation! 🙂

And a last, related thought: I realized I had too many blogs. I’ve got one up at The Huffington Post, my AfterTheSuckerPunch.com blog related to publishing, and this one here. That’s at least one too many. So I’ve decided to close AfterTheSuckerPunch.com and merge it with Rock+Paper+Music, which has always had a fair amount of focus on the arts and other human interest and cultural focal points; publishing stories and book pieces will fit in there quite nicely.

So here we are now, fully merged. Having downsized my blogging world, I hope to be more active here. I hope you’ll join me when you can!

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Visit www.lorrainedevonwilke.com for details and links to LDW’s books, music, photography, and articles.

Book Review: After the Sucker Punch (With Soundtrack)

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After stepping away from book promotion for a while, I’d almost forgotten the process of getting reader feedback to my work: that anticipation of knowing a review has been written and wondering, “How did it hit them? Did they get my story? Did it move them, strike a chord?” So, to open my Facebook page this morning and find the link to this lyrical, poetic review of a book that meant so much to me to write is… well, it reminds me of WHY we write.

Thank you, Lisl Zlitni, for taking the time to read, to enjoy, and write your beautiful and deeply thoughtful review of my work. I cannot tell you how moved I am. I will float through the rest of my day!

Photo Art by Brenda Perlin

Honored By ‘Honorable Mention’ Win in THE MAINE REVIEW

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Literary journals are like boxes of treasure. Poems, essays, memoir pieces, fiction… the best of the best coming together to regale readers with myriad choices created by some of the most thoughtful, inventive writers around.

I entered a piece of mine, “The Mother of My Reinvention,” into the Rocky Coast Writing Contest sponsored by The Maine Review, and was honored to have it awarded as an “Honorable Mention” (or “the runner up,” as wonderful Maine Review editor, Katherine Mayfield, framed it!). Which, of course, truly is an honor, particularly given the number and quality of submissions made. 

Excerpt from “The Mother of My Reinvention”:

Tucked in her lift chair, chilled and uneasy, she waits for tea and dry toast to calm her daily quarrel with queasiness and hunger. With a raised eyebrow and sardonic grin, she remarks, “It ain’t easy gettin’ old.” I commiserate, but she dismisses my empathy; tells me I’m too young to understand. I don’t bother to correct her.

She’s tired, though she’s been in bed since breakfast. It’s a long day by two o’clock, and not necessarily a good one. Though there are good ones: days when she plays cards, sings along with glee, or gets to video Mass in the community room. She still relishes her three squares and always brightens at the sight of chocolate. She’s now in a wheelchair full-time but loves a roll around the park. She’s almost eighty-five, a widow for fifteen years, and a diagnosed Alzheimer’s patient for five.

She is my mother.

I left home—and her—a long time ago. I left hard and fast, no quibbling or weepy boomeranging. My mother refers to this as, “when you ran away,” which isn’t far from the truth. It had been a challenging childhood.

I am a third child, the third girl in a family of eleven children. My two older sisters and I, by virtue of gender and birth order, became “little mommies” for smaller, younger siblings while we were still smaller, younger siblings ourselves. And though being in charge of an infant at six-years-old is, perhaps, too steep a curve, the responsibility did promote skills found useful later in life. I not only learned to change diapers, feed babies, and wrangle toddlers, I became adept at making meals, doing laundry, and running interference for a mercurial and confounding mother. And that was before I got to high school.

By the time I did get to high school, I was bone-weary of family and desperate to fly. Somewhere. Anywhere. Graduation couldn’t come quick enough and my departure for college was so swift, high school friends claim I never even said good-bye. I don’t remember; I was moving too fast. I came home the summer after freshman year, but by next, I was gone for good. My first apartment was a hideous ninety-dollar-a-month single with lousy furniture and a stuttering landlady, but it may as well have been heaven.

It wasn’t just the weight of trading too much childhood for “little mommy-hood.” It wasn’t just the burden of my parents’ religion with its restrictive views of human interaction (i.e., boys and sex). It wasn’t even that one-on-one time in a big family was too spare to be satisfying. It was that I couldn’t find an honest way to consistently and compassionately tolerate my mother.

She was a paradox. One minute clever and creative, the next enraged and irrational. She was impossible to predict and easy to trigger. She loved music, did a mean jitterbug, and had a wildly romantic relationship with the handsome man who was my father. She could make any day a holiday, taught us that fun was our birthright, and, oh, she loved with a passion. All this provided the good that pushed against the other. Her dark side. The turbulent state that came with frenzied tears, cold silences, or rages that scattered us like terrified animals.  

As a child, I would tremble at the sound of her stomping down stairs to mete out punishments I could never seem to avoid. She would be physical, vocal, and unrelenting, and when control snapped and life got the best of her, everyone suffered.  

She tried; I believe she sincerely tried, but she was undeniably overwhelmed by a family too large to manage, a husband often too detached to meet her emotional needs, and a psyche too fragile to offer the flexibility and endurance required by the job.

So when I left, I stayed away and kept her away. She and my father didn’t meet my husband until years after we eloped and I’d already given birth to a son. They were that distant and I was that intractable.

But life is surprising….

[To continue reading, go HEREAnd THANK YOU!]

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Visit www.lorrainedevonwilke.com for details and links to LDW’s books, music, photography, and articles.

Hopping On the indieBRAG Christmas Blog Hop: The Little Drummer Boy, Old and New

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Growing up Catholic in a small midwestern town meant the traditions of our most universal holidays were a mix of sacred and secular. Easter came not only with the solemnity and pomp of Lent and Easter Mass, but the joy of bunnies and baskets of jelly beans and pastel boiled eggs. Halloween surely meant costumes and voluminous bags of treats, but the prayers and patronage of All Saints’ Day that followed were also demanded. And, of course, the big ticket item, Christmas, began with Advent calendars and candles lit during the four weeks before, to be accompanied later by a house festooned with Santas, reindeer, and every kind of snowman, snowflake, and Christmas tree.

Christmas also meant carols: the holy kind— “Oh, Come All Ye Faithful,” “Joy To the World,” “Oh, Holy Night”—and the not-so-holy—”Frosty the Snowman,” “Rudolf the Red-Nosed Reindeer,” “Jingle Bells,” and the rest. I loved them all. The lyrics inspired every range of holiday spirit, the harmonies evoked joy in shared vocal expression, and the melodies stirred emotion and nostalgia whenever heard. That remains true even now.

But there was one certain carol that touched my soul like no other. The almost mournful tone, the somber melody with its repetitive “pa rum pum pum pum.” When “The Little Drummer Boy” began playing in the rotation of stacked Christmas records, my siblings and I would respond almost universally: we’d stop whatever we were doing and start singing along, a chorus of voices in honor of Christmas and that little boy with a drum.

Why this one song over any other? I don’t know, but to this day it gives me a shiver of nostalgia.

So it was with great delight when, three years ago, long after record players were retired and we’d gone from albums to cassettes to CDs to iTunes to streaming music, my brother showed up at our holiday celebration with two vintage LPs of this beloved song; the original recordings, with the memorable album cover, sung by the Harry Simeone Chorale.

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Just looking at that cover brought back so many poignant and visceral memories, but it was listening to it (on an accompanying CD!) that transported both my brother and I back to our little house in Illinois, with its warm rooms decked in Christmas finery and the gaggle of siblings leaping about, singing “pa rum pump pum pum” full throttle.

Starting that year, I began using one album cover as part of my own Christmas decorations; the other I brought to my mother’s room at the Alzheimer’s facility where she lives, bedazzling her room to remind her of family Christmases and the song that was a favorite throughout our growing up. When she saw the album cover tucked amongst the basket of her other decorations, she squinted her eyes and asked, “What is that picture there, the one behind the snowman?”

I pulled it out and showed it to her. “Tom found it; it’s the album cover for our favorite Christmas song, ‘The Little Drummer Boy.’ Do you remember?”

She said she didn’t, but, then, she doesn’t remember much of anything from the past these days. I just smiled and said, “No worries, Mom, maybe it’ll come to you later,” as she sat back in her wheelchair, enjoying her rather large chocolate Santa. Yet, as I was cleaning up, packing ribbons and red paper into my bag, I slowly started singing: “Come, they told me…” and in her scratchy, dissonant, but always-enthusiastic singing voice, she suddenly popped up in her chair, eyes bright, intoning loudly and in perfect time, “… pa rum pum pum pum!”

It seems some things never completely leave you.

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Back at my own house, as I listen, once again, to those pitched voices and the vocal drumbeat droning rhythmically behind, I can’t help but be filled with the ache of nostalgia: remembering my father, who made backyard ice rinks, and “Bishop” punch, and every Christmas so special; remembering the excitement and creativity of my ten siblings, who turned every holiday into an event, and, mostly, remembering my once-vibrant mother, who loved music, loved Christmas, and loved hearing her children sing. My brother and I will be sure to get over to her room during the holiday to sing a few “pa rum pum pum pums” for her. In harmony, all the verses, as we always did… 

* * * * * * * * * * * * *

Being the contemporary girl I am, I wanted to share both my beloved original version, as well as a most modern one by a favorite group of mine. Enjoy… and Merry Christmas!

The original version:

The Pentatonix:

And for those who’d appreciate a little extra Drummer Boy trivia, there’s always its page at Wikipedia!

NOW STAY ONBOARD: The next stop on the indieBRAG Christmas Blog Hop is tomorrow, December 12 with Valerie Biel.

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Visit www.lorrainedevonwilke.com for details and links to LDW’s books, music, photography, and articles.

That Universal Yearning: How Finding Love Became the Theme of HYSTERICAL LOVE

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An interviewer asked me recently about the themes I most often employ in my writing, mentioning that love and family were central pivots around which both my novels spun. She wondered why those two themes so resonated with me, and I told her it was simply because they’re the most universal themes in all of life. Regardless of circumstance, ethnicity, social status, or any of the other qualifying ways in which we define and divide life, we all have family and we all want love. Even Edward longed for his Bella and he was a vampire!

When I started writing Hysterical Love, my second novel, the story evolved in a way that made it a companion piece to my first, After The Sucker Punch. While very different stories in terms of tone, plot, storyline, and protagonist, both involve thirty-something people reacting to the words of their fathers. But where Tessa, of my first novel, was most involved in rediscovering who she was—and who she was to her deceased father—Dan’s journey in Hysterical Love is all about love; sweet, elusive, maddening love.

And it’s an exploration of love on many levels: not just the heady lust and passion of new love that’s so often the driving force of drama, but the longer-term love of Dan’s three-year relationship with Jane (his very-soon-to-be-ex-fiancée); the lifetime love of his parents married for forty years; even the fleeting love of youth described in a fifty-year-old story written by his father. His roommate, Bob, revels in love’s abundance, his workmate, Zoey, can’t seem to find it, his sister, Lucy, is convinced it’s all about soul mates. But it’s when his father has a stroke and hovers near death, mumbling the name of the woman from the fifty-year-old story, that Dan is struck by the realization of another kind of love: love unrequited.

Given the strains and struggles of his parents’ cranky, utterly unromantic marriage, the story of his father’s aching first love of fifty years earlier overwhelms Dan’s imagination. And when he hears his comatose father mumble the name of the woman from the story, he’s struck by an unrestrainable urge to go find her, convinced she holds answers to his many questions about love.

So Dan sets off on an untimely and ill-conceived road trip to Oakland, CA, where the woman was last located, determined to change the course of his and his father’s lives. While on that tumultuous journey, he not only questions every aspect of his life, he’s faced with defining a whole new level of love when he meets the gorgeous, intriguing Fiona, a woman surely formed from someone’s fantasy. She appears as if sent from the gods to help in his quest and, in doing so, takes his breath away, forcing him to face his own definition of the elusive emotion.

But it’s the one-two punch of the plot’s unfolding—the reality of the woman he’s searching for, and Jane’s unexpected arrival to win his heart back, that forces love, an urgent pull both life-giving and soul shattering, to be most deeply examined.

For any adult who’s experienced the roller-coaster ride inherent in our human urge to connect and find affection, Dan’s story, and that of his parents, his fiancée, his workmates, his roommate, even Fiona, will surely resonate. He’s led to new thoughts, new realizations, and some painful, if undeniable, conclusions about the many faces love wears, and, in ways he couldn’t have imagined at the start of his story, he finds life altered accordingly.  

The true testament to the power of love… 

Photoart by Brenda Perlin

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Visit www.lorrainedevonwilke.com for details and links to LDW’s books, music, photography, and articles.

Yes, We Are ALL Part of the ‘Truth In Media’ Equation

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As most sentient people have noticed, distrust in the media is at an all-time high. It’s not just conservatives who whine about the “lamestream media”; people on all sides of the divide are generally dissatisfied, unconvinced that “all the news that’s fit to print” is actually fit… or even news… and certainly most of it isn’t in print!

In the glory days of good old-timey journalism, the mandate was to report, to chronicle the events of the day, absent of opinion and rife in verifiable fact. Nowadays, as we march onward in our digital revolution to accrue ever-more 24/7 online news/media sources, the sheer demand for content is so relentless that any story, any opinion, any slant or perspective is granted the same status as actual news. Which means much of what we perceive as news is actually an unholy mix of bias, misinformation, rushed reporting, and facts twisted so precipitously as to resemble bias, misinformation, and rushed reporting.

This “news food” (like “cheese food”… as resemblant of real cheese as, well, you get the point) is then put through various delivery systems that render it digestible pseudo-news. And once that gets bleated about by cable/network talking heads, splayed across blogs and online news sites, written/covered/spun by writers (some posing as journalists), or printed in newspapers and magazines, it becomes TRUTH. It doesn’t matter if it isn’t; it’s been given the pedigree of pontification and publication, and, therefore, must be true. Sorta true? Even a little bit true? 

Oh, hell, it doesn’t matter. All that matters is that it’s believed to be true, that it supports someone’s point of view, and once it reaches that dubious bar, it then becomes “bandiable.” Spreadable. Ripe for sharing, posting, tweeting, blogging, slathering across the media landscape like so much warm butter (or, more accurately, congealed lard). Whatever greasy mess it is, it ain’t pretty.

And where does that leave us, those of us who do want “truth in media”? It’s become increasingly difficult, in a culture that readily serves up this pseudo-news cocktail, to know what, exactly, IS true. What is factual, verifiable, worthy of our viral attention… and what is not. And, sorry to have to say this, but we partakers have been, perhaps unwittingly, perhaps not, collaborators in the metastasizing of this regrettable phenomenon. Don’t think so?  

I bet we’ve all done/experienced some of this:

• We read an article posted by a friend, a family member, someone in our circle. It resonates, we “like” it, we express our outrage/support as appropriate; we might even share it… then we discover it’s a two-year-old article, the event is no longer relevant to the current conversation, or the reported “facts” have been discovered to be false, different, evolved, and therefore, the article is not useful. But, too late; we’ve sent it all over the place.

• Someone in our circle posts an article that is highly critical of some person, organization, political party, etc., they do not support. They even offer accompanying commentary to further fan the outrage. But as readers look a little closer, they discover the writer of the article works for a rabidly oppositional site, or is a fire-breather of known bias whose “reporting” could only be described as opinion, often faulty opinion teeming with dubious “truths.” But, again, it’s too late; it’s already been shared, “liked,” and commented upon as factual.

• A major event occurs somewhere in the world (terrorism, police brutality, plane crash, etc.). As the coverage tsunamis in, we rush to our TVs, our computers, and immediately begin sharing and commenting. Unfortunately, what often gets reported at the beginning of a news cycle, particularly as the facts are still being ascertained in the midst of chaos, is inaccurate and hazy, built on rumor and faulty witness reports. But those faulty reports and false rumors have now been thrown all over the media, social and otherwise, and unless those doing the throwing are quick to follow up with corrected, more accurate information, the misinformation exists online forever as fact, misleading many in the process.

• An incendiary, salacious, click-baity article is posted; it revs up the pitchfork throwers, sending commenters and trolls into a frenzy… only to have it pointed out that the site is a “satire site,” the article was tongue-in-cheek, the content was a joke, and so on. But before this is made clear, hordes of people have disseminated the information to be discussed and debated as fact.

• And, even in the most benign of circumstances, some of us are guilty of posting, say, notices of a celebrity death… only to have someone clarify that the person being mourned actually died months, even years, earlier. (A year or so ago, I—yes, I—posted a bittersweet piece about my favorite childhood DJ from Chicago having passed… only to be informed that he’d died three years prior! That’s the last time I posted something without first checking the date!)

And that’s the point. We gotta do a better job of checking what we post and share. We do have a role in this “truth in media” equation, an obligation even. Because we—the readers, listeners, sharers, commenters, posters, tweeters, bloggers—are like bees that spread pollen, birds that flit from flower to flower; Johnny Appleseeds with our bags of, well, apple seeds. We may not write the stories, but if we’re out there pollinating cyberspace with our shares, tweets, Facebook posts, blogs, comments, etc., we are participating in either informing or misinforming the reading public.

The fix? Simple: before you post or share anything, apply the following:

  1. Check the date. If it’s old, odds are good the information is as well. Either don’t post it, or—if it’s a topic/person/event you feel strongly about—find a more current source. Or at least make a point of alerting people that it’s an old article. 
  2. Check the site you’re sourcing from. If you’re sharing information from a far Right or far Left site, or any site known for a certain slant or opinion, odds are good the information being shared is biased toward that philosophy. Biased doesn’t necessarily mean not true, but it does mean one ought to share and read with a grain of circumspection. Even caution. Even cynicism. If you post something from such a site, be so kind as to make note of the political/philosophical penchant of the source so readers and sharers are aware and can judge accordingly.
  3. Check the veracity of what you’re posting. This one may be most important, particularly in regard to information that is incendiary, sensational, accusatory, insulting, potentially defaming; possibly not-true. Do us all a favor and get some fact-checking in before you post that sort of thing (or, really, anything). Between Snopes, Politifact, FactCheck, even Wikipedia, you can certainly do your own due diligence. In fact, it behooves us all to either refrain from posting slanderous-type material (particularly from a biased source), or be damn sure we’ve verified the truth of what we’re sharing. There’s enough misinformation and inaccurate propaganda out there without any of us contributing to the muckraking. 
  4. Be upfront when posting from satire sites. It’s all well and good to be so savvy, so culturally hip, that you know all the cool satire sites in the world, but presume not everyone else does. Posting a disclaimer like *SATIRE* is not only appreciated, it goes a long way toward keeping horrified folks from sharing as fact what is meant to be humor.
  5. Do your homework and figure out which news sources post the most neutral, most factual, most verifiable, least salacious news. Then share from those sites. This may take some time to sort out, and designated sites may go in and out of the category, but it’s worth it in the long run to get a decent list together, not only in terms of what to share from where, but what to reference for your own news information.

I’m sure there are other items that would be useful to the assignment (feel free to leave yours in the comments), but for now, these five, if vigilantly applied, would contribute mightily to the stanching of misinformation, and the propagating of more “truth in media.” I urge us all to do our part. Then, when we complain about the “media,” we can do so knowing that we, at least, have not further contributed to its “lameness.”

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Visit www.lorrainedevonwilke.com for details and links to LDW’s books, music, photography, and articles.

Other Humans Are Just Different Genres, Labelled Badly

I love the way book blogger Tara Sparling thinks, and her take on recent events, seen through the filter of books and wise humor, is a good one to share.

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Tara Sparling's avatarTara Sparling writes

Imagine that you are a writer of romance. Sometimes steamy, sometimes so heart-breaking that grown men in their forties have scowled at you on the street.

Then, imagine that all the people who don’t regularly buy books – which, in case you don’t know, is a far larger number than the book-buying public – think that every single book in the romance genre, including yours, is the exact same as Fifty Shades Of Grey.

If that means nothing to you, let’s say, then, that you are a parent. You are but one out of billions of parents around the world. However, let’s say the biggest cultural event in parenting this year is the blockbuster Mommie Dearest. Suddenly, all non-parental people think that you behave like the titular Mommie. Whenever they see you, they shield their dogs (and it’s nothing to do with your sheepskin gilet).

Last week I was riding high on a

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Want To Help Inspire Kids To Read? I’ve Got Just the Way To Do It

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If you are alive and aware in the year 2015, you know that one of the most common complaints articulated is how technology has surpassed all other avenues of entertainment for “today’s youth.” Likely every parent, teacher, mentor, writer has made note of this cultural evolution (devolution?), and while most would claim no antipathy for technology itself (many quite happily using it to their own advantage), there is a general sense that proper balance between the tugging mediums has yet to be found.

Which prompts the question: Is there a way for kids to learn and engage with technology without losing the glorious and countless benefits of reading actual books? As any book-reading/loving adult who concurrently loves the Internet can attest: YES! But first you’ve got to inspire a love of books and reading, and that’s not easily done in the cacophony of ever-more-seductive screens. 

Access All Areas SelfieMark Barry, a Nottingham UK native who also happens to be an incredible writer and novelist (two of his books, Carla and The Night Porter, are top faves of mine!), is the co-founder of a brilliant organization called, quite appropriately, Brilliant Books (you can read all about it HERE).  This organization’s sole mission is to create access to, and interest in, books… books that children are then inspired to read. Books that are put into the hands of children who might not otherwise have them. But Mark and his partner, Phil Pidluznyj, don’t just leave it there:

Essentially, Brilliant Books go into schools with successful people in tow; people who credit their success in careers, etc. because they read fiction as children and continue to read.

In two hours, they give an inspirational talk, then help us work with up to twenty children, in small groups, mostly reluctant readers, each writing a short story. 


IMG_0006Finally, after eight weeks, the stories are collected in an anthology which is presented to the kids in front of their peers, so they essentially become published authors at between 10 and 14.
  

Pretty amazing idea, isn’t it?

Obviously, there is a need for this sort of activity in millions of schools around the world, and if you’re interested in organizing just such a group in your area, much info and inspiration can be drawn from reading what Brilliant Books is doing.

Another way you can help is from afar: by purchasing Access All Areas, a sweet little short story anthology Mark put together as a fundraising gift.

Gathering many of his favorite authors (including, humbly, yours truly!), he gave the prompt to “focus on the magic of books and reading,” inviting writers to share stories about what inspired them as readers, what sparked their passion for words; what contributed to their love affair with books. The proceeds of this anthology, now on sale in both e-book and paperback at Amazon, will go directly toward much-needed items for Brilliant Books.

Access All Areas

If you ‘d like to know more about the authors involved, Mark has shared a bit about each in  Meet The Team From Access All Areas. A great group I’m happy to be a part of.

But the biggest call-to-action here is BUY THE BOOK!

Because this one’s not about raising the profile of any specific author, or participating in a push to get Amazon rankings up, or a contest won. It’s about spending a few dollars on a lovely collection of stories, all written for the purpose of getting — and keeping — kids interested in reading. As Mark always says:  “A society that doesn’t read is a poorer one than one that does.”

E-book

Amazon UK Customers can buy the E-book HERE
Amazon.Com/US Customers Can Buy the E-Book HERE

Paperback

Amazon UK Customers Can Buy The Paperback HERE
Amazon.Com/US Customers Can Buy The Paperback HERE

THANK YOU and enjoy the read!

LDW w glasses


Visit www.lorrainedevonwilke.com for details and links to LDW’s books, music, photography, and articles.

Talking With Regina McRae About #BLM and What Else Matters in the Politics of Race

Regina walks it

Say what you will about social media and the tendency of some to either trivialize or troll it on a far-too-constant basis, the platform has provided a vibrant, interactive forum through which to meet people we might not have otherwise. And sometimes that’s a very good thing.

I met Regina McRae via social media, from far across the country, and from very different avenues of life. And her contribution to my perspective, my greater understanding of what it is to be a black person in America in the year 2015, has been one of those very good things. It’s “schooled” me, in ways that have broadened my view of race and the impact of its politics on both black and white America. 

If you read my three-part Huffington Post series of interviews with Regina, this post will not be news. But for those who have not yet caught up with the discussion, or who’d like to read and share it as a compiled piece, I’m posting it here as well.

Because I believe it’s an essential conversation, one desperately needed in our cultural effort to understand why #BlackLivesMatter, why riots happened in Ferguson and elsewhere, and how activists are inspiring people of every race to raise a ruckus—and our consciousness—in hopes of creating true change. I hope you’ll read all three segments; share them, comment on them, pose your own questions…I promise one or both of us will respond!

Regina gave me the respect of her candor, her unvarnished perspective, and I not only appreciated both, but am grateful for the education they offered. I hope you’ll find her words illuminating as well. 


REGINA AND I TAKE IT ON, PART 1: TWO WOMEN — ONE BLACK, ONE WHITE — DISCUSS RACIAL POLITICS, ‘GOOD WHITE PEOPLE,’ AND #BLACKLIVESMATTER   

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I’ve never met Regina McRae. We’ve spoken on the phone, exchanged emails, connected on social media, but we’ve never actually met… which means we have a typical friendship in this 2.0 world! We originally crossed paths when she came upon a piece of mine, No, White People Will Never Understand the Black Experience, which led to our connecting on Facebook, and, from there, regular interaction on various topics posted.

Given her background as a black woman from Brooklyn who built her own bakery, Grandma’s Secrets, was a Food Network winner, as well as authored the book, Taking The Cake, The Ultimate Cake Guide, her posts were a feisty mix of culinary insight, humorous cultural commentary, and some very unbuffered perspective on issues of race. I liked what she brought to the conversation, and was paying attention when one post in particular grabbed me.

Since last year’s infamous debacle in Ferguson, MO, the specific issue of #BlackLivesMatter has been a conflicted one for many… including me. Despite being an open-minded, politically progressive person fortunate to have been raised on the principle that “all people are created equal,” I found myself thrown when the hashtag made its cultural entrance. My initial response was a familiar one: “Of course, black lives matter; all lives matter.” I wasn’t clear why we were being asked to differentiate, to specify, as if other categories of lives didn’t warrant the same emphasis. I didn’t object to the hashtag, but I didn’t know how to rationalize the selectiveness.

Then Regina posted something on Facebook, a response directed at someone who was obviously having a similar struggle, and, included in a longer message, was this line:

“We know all lives matter, but our country obviously doesn’t! The fact that we have to put up such an obvious sign and hashtag, there’s the problem right there.”

Simple, direct, but right to the irony of the issue, underscoring the “ideal vs. fact” element of the debate. It struck a chord. It also triggered some thoughts on a parallel that resonated with me:

If I, as a woman fighting for women’s causes, were to say to someone, “Women’s lives matter” and their response was, “Yeah, sure, but all lives matter,” I would immediately feel dismissed and diminished, as if my cause, my fight as a marginalized group, was being minimized. For whatever reason, that helped me understand why embracing the #BLM hashtag mattered. I had to get in touch with Regina…

Click HERE to continue reading….


REGINA AND I TAKE IT ON, PART 2: PROFILING, POLICE BRUTALITY, AND THE POLITICS OF #BLM

….LDW: Great change generally takes more than a gentle touch; history has taught us that. So, yes, in this presidential cycle, candidates will be obligated to address the topic of race politics and brutality. It’s good to hear that Hillary Clinton has agreed to meet with #BLM activist, DeRay McKesson, but is there a danger of making politicians’ response to #BLM a superficial litmus test?

Meaning, we know there are several conventionally accepted “tests” for candidates on both sides of the political aisle. There have been hissy fits when candidates were found not wearing an American flag lapel pin (I remember Obama getting grief for that at some point), or demands that candidates publicly declare a belief in God. Personally, I think items of that nature should be off the table of discussion, particularly given how transparent compliance can become.

So do the demands of #BLM activists—for candidates to declare support for the movement—risk becoming another one of those manipulated litmus tests? Candidates make a big show of their support, their “long history of working for racial justice,” etc., but if the rhetoric comes only after a #BLM disruption, how authentic is it?

RM: I believe people’s records will speak for themselves. We know who has been a staunch supporter and who hasn’t. If a candidate professes support for the movement, I’d ask, what side of history were you on during the marriage equality debate? What is your stance on immigration? Do you support free college tuition? Did you support the Violence Against Women Act, even as it contained a provision to protect Native American woman and transgender women from domestic violence?

When you saw laws being passed that peeled back voters’ rights or immigrants’ rights, laws that made filming cops a felony, or Stand Your Ground laws, did you ask yourself: who writes these, who passes them, and what can I do to correct them? Do you recognize that hate groups are a cancer destroying this nation from the inside out, and when you stand up for black lives, you are actually helping to excise that cancer, saving all lives?

If a candidate pledges phony support, they’ll only fool themselves. When they show that all lives matter to them by their actions, not just their words, then we will authentically believe that black lives matter to them too.

Click HERE to read full interview…


REGINA AND I TAKE IT ON, PART 3: VIOLENCE ACROSS COMMUNITIES, MEDIA COMPLICITY, AND FINDING COMMON GROUND

Regina-Lorraine_3

…Before we continue, a quick comment about the photos used to accompany the series: Those of Regina are obvious, but I wanted to point out why I intentionally selected the two-shots I did.

I wanted to depict Regina and me as the women we are: our races, our professions, our everydayness; our similarities and our differences. It felt important to illustrate how individuals who live on opposite sides of the country, with different backgrounds and career paths, and certainly disparate ethnic and cultural influences, could come together with interest and compassion to discuss “that which ails us.” A message, perhaps, that it can be done, it should be done, as often as people can come together.

Now let’s get on to our final segment:

LDW: First of all, Regina, thanks again for working with me on this. Simply put, it’s been a good thing.

RM: Thank you for giving me a voice. When I see trolls on the #BLM page and am sickened by the extreme hate, I know how important this conversation is. We have to all move past this.

LDW: Agreed. So let’s continue. Here’s something I’d like your perspective on: Despite our country’s mandate against segregation, it’s a fact that many communities gravitate toward neighborhoods and enclaves made up largely of their own ethnic or racial groups. Particularly in cities, we see whole sections defined by their largest populations. Busing students may diversify schools, but even then real connection becomes problematic when kids can’t spend time with each other because their homes are so far apart. Many small towns offer little or no diversity; consequently, people have few opportunities to engage and interact with other races.

How can we, then, best promote empathy for the many reasons behind the #BlackLivesMatter campaign when too many whites in America still do not have meaningful experiences with blacks; still do not fully grasp the history and legacy that’s led to this point in our culture, and still see only what they get on the news, which is largely negative? What, in your opinion, would best promote greater empathy and understanding amongst communities, on all sides of the racial divide, so that mistrust and knee-jerk stereotypes are not the go-to response?

RM: In this day and age of the Internet and social media, the world is a much smaller place than it has ever been. If someone is truly interested in bridging a gap, it’s as easy as making a friend on Facebook or Instagram. Want to learn more about slavery, segregation, Jim Crow? Just Google it. The only reason for ignorance these days is comfort. As with yourself, those who truly wish to know, reach out and ask! A person who asks a question is only a fool for a moment. Those who never ask are fools forever.

LDW: That’s a good line.

RM: It’s true! You don’t have to know a single black person to understand the #BLM movement. Read the Department of Justice’s scathing reports on corruption and racism in the Cleveland police department, or the Ferguson police department, as mentioned last week. Read Amnesty International’s report on the use of lethal force in New York City’s police department, in which they were compared to the secret police in a Third World dictatorship…and that was just 20 years ago under Mayor Giuliani!

Things have not gotten worse over the years, they’ve become more evident with the proliferation of cellphones, iPads, and security cameras. The world is coming to know what we have always known: that some in law enforcement are protecting and serving only themselves. And because this cancer has not been excised, but been allowed to grow unchecked and untreated, it is now spreading from the inner city into the ‘burbs…

Click HERE to read full interview…


As I concluded in the final piece, I hope everyone will take the time to read all three segments to get the full arc and balance of what we’ve discussed. I also hope everyone who has taken that time will let the ideas, the concepts, the calls-to-action, seep into their consciousness and propel them forward toward a new way of looking at things. We can keep dismissing and denying, keep trying to frame the conversation in cliches and tropes that avoid painful realities, and our witting, or unwitting, complicity in a society that marginalizes some of its members, but to do so would only perpetuate a system that has fractured and hurt far too many.

We can’t wait any longer. The time is now. We can’t pretend we’re “post-racial,” or rest comfortably in the assuagement that “things have gotten better.” We have to take this moment of awareness and unrest and do something substantial. Lives depend on it. Yes, all lives. Because all lives matter. But to create a society in which that is truly fact, not just an ideal defined by lofty thinkers, we must be willing to state, unequivocally, and with comprehension for the reasons why, that #BlackLivesMatter. From there, we move forward together.

Regina_tagIf you’d like to get in touch with Regina McRae, you can do so via her Facebook page, at Twitter, or her page at Instagram.

Photos by permission of Regina McRae.

 

LDW w glasses


Visit www.lorrainedevonwilke.com for details and links to LDW’s books, music, photography, and articles.

Beautiful Covers…some thoughts on the topic by JJ Marsh

JJ Marsh

 

 

 

I have a thing about book covers. They’re not only the initial calling card of a book and its author, they are the art, the statement, the quality, that sets the tone for, hopefully, what follows within.

I’m sharing this piece by JJ Marsh because I think she hit the point on the head, about both the covers she features in her piece, as well as the article she references with their own examples. Interesting comparisons. And, yes, to each his own, but why not make the first statement of your book be a thing of beauty and intrigue?

jilljmarsh's avatarjjmarsh

This week, I spotted an article by Bookbub on eight trends for covers that sell books.

The key elements to lure readers? Animals, beaches, seasonal themes, friendship/sisterhood, shirtless men, great photography, chicklit glitter and cute kids.

Sure, I get that. Certain readers will buy stuff that guarantees satisfaction – stuff that does what it says on the tin. Yet I scrolled through those covers and not one appealed to me. No surprise there. I loathe anything mawkish or sentimental, rarely read chicklit/romance/erotica and I’m drawn to covers which promise beauty, intelligence, new ideas and experiences.

I know very little about design, but as a reader, I do judge books by their covers. Never one to keep my opinions to myself, here are ten indie-published covers which appealed to my own personal predelictions. In no particular order, this is my own subjective beauty parade with links to the designers.

 

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