Words & Pictures: How Important IS Cover Art?

"Walking the Cambria Shore" original photo, Hysterical Love back cover
“Walking the Cambria Shore” original photo, Hysterical Love back cover

Someone asked me the other day what was the singlemost reason I chose to self-publish my books. Actually, I have two reasons, which, I suppose, makes this a “doublemost” situation.

First: while I would’ve loved (I mean, seriously loved) the help of an enthusiastic literary agent and the support and heft of a publisher with name value and cultural prestige, procuring those collaborators in our ever-changing industry has become an increasingly elusive event; it certainly was for me. I gave it my all over several years then decided I had no more all to give; since I truly believed what I was doing merited further advancement, and I’d gotten to the point where I just wanted to move forward, I leapt off the indie cliff.

Think I’m still in mid-fall!

Second: I wanted control over the work I put out. Frankly, if you’re not getting the perks of industry collaboration, there has to be some kind of trade-off; one of the most phenomenal trade-offs of “doing it yourself” is controlling exactly how your work comes to fruition. For the uninitiated, this is a big thing because, with traditional publishers, items like final edit, title, and book cover are typically taken out of the hands of the author. Certainly an unknown author. Which would be me. And since I was one of the brave souls striking out independently—for better or for worse—one of the “betterest” reasons was the ability to create and produce EXACTLY the books I wanted.

"Bene Bene" original photo, front cover, Hysterical Love
“Bene Bene” original photo, front cover, Hysterical Love

Now, if you’re like me, a creative perfectionist who’s driven many a musician, producer, co-writer, actor, director, sound mixer, editor, or wildly opinionated drummer crazy with detailed, nuanced, and very specific standards and opinions, you’ll understand that the perk of creative control for someone like me is a boon. I’ve always believed that, if you’ve put in the time to truly learn your craft, gain your experience, hone your expertise, and bring to life a beautifully imagined story and set of characters, you deserve the power to render the final edit, pick the title, and decide on your cover art. Certainly working with professionals in the arena of editing is essential, input on titles is always illuminating, and a cover designer is a must-have, but ultimately it all comes down to YOU.

She Tumbled Down_v
“Street Memorial,” She Tumbled Down

Which is lovely.

And a book cover, to my mind, is one of the most important elements of the final product. Why wouldn’t it be? Books truly are judged by their covers and too often the covers of self-published books are artistically lacking, poorly designed, and amateurishly rendered. Those covers then become litmus tests to the perusing and reading public, signaling to many that this writer may not have a firm grasp on professional market standards and, therefore, likely hasn’t delivered a professionally excellent book. I’m sure that’s not true in every case, but from all reports: most.

So given my bona fides as a photographer with a deep catalogue of images from which to choose—convenient, considering my preference for photographic cover art—my design process was both financially beneficial and extremely simple. Add in the fact that my cover designer is a brilliant graphic artist from Chicago, Grace Amandes, who just happens to be my sister, and it was a foregone conclusion that I’d get exactly the covers I wanted. And I did.

AFTER THE SUCKER PUNCHwith its story of a woman who discovers on the night of her father’s funeral that he thought she was a failure, needed a female face in the background, one that reflected the mood and emotional tone of the piece. After pulling an image from my gallery—as well as finding a back cover image that illustrated another story point that takes place in Cambria, CA— I handed the images to Grace, who ultimately came back with a cover I loved: 

AfterTheSuckerPunch_front_cover

With HYSTERICAL LOVE, a more whimsical story about a thirty-something guy struggling to find the meaning of true love and his father’s long-lost soul mate, a through-line involving an ice cream truck became the inspiration. There was no doubt I’d be using a favorite photograph taken in my neighborhood and processed with a “selective color” concept (see original above). Grace found the exact right font and color for the title, and it has become a cover that people literally smile over. I do too!

HL front cover

For “She Tumbled Down,” a short story about a tragic hit-and-run, published only in e-book, I decided to design the cover myself, trusting that, since ebooks don’t require quite the specifications of a print cover, I could pull it off. Inspired by Grace’s work, I came up with another “selective color” version of an image also taken in my neighborhood (see original above). It makes the very poignant point.

She Tumbled Down

Working in both literary and photographic mediums, I’ve discovered my general thrust as an artist is, quite simply, storytelling. Whether visual, literal, or musical, the narrative I see and feel impels the work forward, and so it has been a natural marriage between words and images in bringing my books to happily imagined life…a result that makes all the challenges and occasional indignities of self-publishing all the more easy to forgive!

To view my photography galleries at Fine Art America click HERE.

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Visit www.lorrainedevonwilke.com for details and links to LDW’s books, music, photography, and articles.

Art of the Book Cover: Pictures Tell the Story

Walking the Cambria Shore_sm
“Walking the Cambria Shore” — original photo used for back cover of AFTER THE SUCKER PUNCH

Someone asked me the other day what was the singlemost reason I chose to self-publish my books. Actually, I have two reasons, which, I suppose, makes this a “doublemost” situation.

First: while I would’ve loved (I mean, seriously loved) the help of an enthusiastic literary agent and the support and heft of a publisher with name value and cultural prestige, procuring those collaborators in our ever-changing industry has become an increasingly elusive event; it certainly was for me. I gave it my all over several years then decided I had no more all to give; since I truly believed what I was doing merited further advancement, and I’d gotten to the point where I just wanted to move forward, I leapt off the indie cliff.

Think I’m still in mid-fall!

Second: I wanted control over the work I put out. Frankly, if you’re not getting the perks of industry collaboration, there has to be some kind of trade-off; one of the most phenomenal trade-offs of “doing it yourself” is controlling exactly how your work comes to fruition. For the uninitiated, this is a big thing because, with traditional publishers, items like final edit, title, and book cover are typically taken out of the hands of the author. Certainly an unknown author. Which would be me. And since I was one of the brave souls striking out independently—for better or for worse—one of the “betterest” reasons was the ability to create and produce EXACTLY the books I wanted.

Bene Bene_sm
“Bene Bene” – original photo used for HYSTERICAL LOVE cover

Now, if you’re like me, a creative perfectionist who’s driven many a musician, producer, co-writer, actor, director, sound mixer, editor, or wildly opinionated drummer crazy with detailed, nuanced, and very specific standards and opinions, you’ll understand that the perk of creative control for someone like me is a boon. I’ve always believed that, if you’ve put in the time to truly learn your craft, gain your experience, hone your expertise, and bring to life a beautifully imagined story and set of characters, you deserve the power to render the final edit, pick the title, and decide on your cover art. Certainly working with professionals in the arena of editing is essential, input on titles is always illuminating, and a cover designer is a must-have, but ultimately it all comes down to YOU.

She Tumbled Down_v
“Street Memorial” — Original photo used for cover of “She Tumbled Down”

Which is lovely.

And a book cover, to my mind, is one of the most important elements of the final product. Why wouldn’t it be? Books truly are judged by their covers and too often the covers of self-published books are artistically lacking, poorly designed, and amateurishly rendered. Those covers then become litmus tests to the perusing and reading public, signaling to many that this writer may not have a firm grasp on professional market standards and, therefore, likely hasn’t delivered a professionally excellent book. I’m sure that’s not true in every case, but from all reports: most.

So given my bona fides as a photographer with a deep catalogue of images from which to choose—convenient, considering my preference for photographic cover art—my design process was both financially beneficial and extremely simple. Add in the fact that my cover designer is a brilliant graphic artist from Chicago, Grace Amandes, who just happens to be my sister, and it was a foregone conclusion that I’d get exactly the covers I wanted. And I did.

AfterTheSuckerPunch_front_cover

AFTER THE SUCKER PUNCHwith its story of a woman who discovers on the night of her father’s funeral that he thought she was a failure, needed a female face in the background, one that reflected the mood and emotional tone of the piece. After pulling an image from my gallery—as well as finding a back cover image that illustrated another story point that takes place in Cambria, CA— I handed the images to Grace, who ultimately came back with a cover I loved: 

With HYSTERICAL LOVE, a more whimsical story about a thirty-something guy struggling to find the meaning of true love and his father’s long-lost soul mate, a through-line involving an ice cream truck became the inspiration. There was no doubt I’d be using a favorite photograph taken in my neighborhood and processed with a “selective color” concept (see original above). Grace found the exact right font and color for the title, and it has become a cover that people literally smile over. I do too!

HL front cover_indieBRAG

For “She Tumbled Down,” a short story about a tragic hit-and-run, published only in e-book, I decided to design the cover myself, trusting that, since ebooks don’t require quite the specifications of a print cover, I could pull it off. Inspired by Grace’s work, I came up with another “selective color” version of an image also taken in my neighborhood (see original above). It makes the very poignant point.

She Tumbled Down

Working in both literary and photographic mediums, I’ve discovered my general thrust as an artist is, quite simply, storytelling. Whether visual, literal, or musical, the narrative I see and feel impels the work forward, and so it has been a natural marriage between words and images in bringing my books to happily imagined life…a result that makes all the challenges and occasional indignities of self-publishing all the more easy to forgive!

To view my photography galleries at Fine Art America click HERE.

LDW w glasses


Visit www.lorrainedevonwilke.com for details and links to LDW’s books, music, photography, and articles.

Review from A Woman’s Wisdom: ‘Shorties: She Tumbled Down by Lorraine Devon Wilke’

She Tumbled Down

With so much recent attention focused on my just-released novel, Hysterical Love, it was lovely to read a concise, thoughtful review of my short story, “She Tumbled Down,” from UK book blogging site, A Woman’s Wisdom.

This site is aptly described as: “The Book Blog For Lovers Of The Written Word…A place to discover fabulous storytellers plus book reviews, author interviews, articles and humour.” It is written and curated by a funny, passionate, and—yes—wise woman named Ali (or “Bodicia” for those on Twitter), who says of herself:, “I am a mother, a grandmother and a woman with years of life experience. On my blog you will find reviews of books which have been a pleasure to read as well as author interviews, guest blogs, and articles.”

Ali accepts no money for reviews and maintains a very constructive, considerate philosophy about the process:

“I only review books which I would give a four or five star review to as I don’t feel it is necessary to slate a book so if it is on my blog then I genuinely found it a pleasure to read.

“I have a particular interest in Indie authors and giving attention to those books which deserve to be seen by more people. I have always had a love of books and appreciate how hard it is to get your book seen and ‘out there’. I decided I would use my blog to review books in my free time and I have discovered some fabulous authors whose work really does deserve more recognition in my opinion.”

I am always delighted by and appreciative of writers whose respect for authors and their work inspires a philosophy such as hers! Thank you, Ali, for your sharp, succinct review of my story. You cut to the core of it: 

Shorties: She Tumbled Down by Lorraine Devon Wilke.

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Visit www.lorrainedevonwilke.com for details and links to LDW’s books, music, photography, and articles.

Sharing ‘Matters of the Mind’ with Dr. Peter Sacco and Todd Miller on ListenUP!TalkRadio

ListenUP!TalkRadio

There is a wide spectrum of events and circumstances that can contribute mightily to the joy of a writer’s life, but one of the nicest has to be the opportunity to talk about the work with smart, insightful people who are genuinely interested. I had occasion today to enjoy that experience when I was interviewed by Dr. Peter Sacco and ListenUp!TalkRadio President, Todd Miller, on their show, “Matters of the Mind.” 

These are two really great guys who approached the conversation with a holistic slant, interested in reaching below the surface to discuss the deeper threads that run throughout an artist’s experience and inspiration. Given my eclectic background, as well as the personal mission to explore the more humanistic, emotional aspects of life through my art, I appreciated the approach!

The interview will run tonight (March 25, 2015, at 8:00 EST) and will be podcast, as well, for future listening. The link with all the information is below. Please enjoy the listen and be sure to check out any of the books we discuss by going HERE!

“Tune in tonight at 8 pm (ET) for “Matters Of The Mind,” as Dr. Peter Sacco and Todd Miller have a great conversation with author, writer, actor and musician Lorraine Devon Wilke. Talk about a cultural gypsy!”

Thanks, gents; thoroughly enjoyed the conversation!

LINK: Announcement: Lorraine Devon Wilke, #author of “Hysterical Love” joins #MOTM at 8p tonight to discuss #writing, #music and MORE!

DIRECT LINK TO PODCAST: Vol 54 LORRAINE DEVON WILKE #Author Mar 25 2015

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Visit www.lorrainedevonwilke.com for details and links to LDW’s books, music, photography, and articles.

Mark Barry of Green Wizard Publishing Has Some Words About AFTER THE SUCKER PUNCH

GW publishing

When I cyber-met Mark Barry, UK author/blogger/publisher @ Green Wizard Publishing, via another very thoughtful writer I shared some appreciation for in The Kindness of Strangers… Meet Brenda Perlin. I had no idea I was meeting one of the most enthusiastic and passionate lovers of the written word to be found on this planet. But this quickly became evident, particularly after he invited me to participate in an interview for his dedicated author/interview site, The Wizard’s Cauldron, and I had the pleasure of corresponding with him across the pond and over a very fun and thorough set of questions (A Whizbang Interview with Author and Book Blogger Wiz Green).

At the time he was in the midst of reading my short story, “She Tumbled Down,” and promised to get to my novel, After The Sucker Punch, as soon as he was able. Which was delightfully soon, considering how busy this guy is. I say “delightfully” because Mark did that thing every writer loves when someone’s reading their book: he sent emails during and throughout his read, exclaiming over bits he liked, sharing thoughts on various characters and plot twists, assuring me that, when he was done, he would write a proper review. He and I did share some thoughts about the review conundrum (bracingly discussed in OK, Let’s Discuss This Whole Book Review Thing… Please), and I made him swear on a stack of indie novels that whatever he wrote, it would be his authentic opinion, good, bad, or in-between (I made the pact in return, given his status as a fellow author whose books I’ll read).

Of course, this sort of promise is always a dicey thing, something every reader of indie novels (and even some traditional novels) knows. You pick up the book of someone you’ve met in a writer’s group, a book club, online, or at a convention, and you do so with a certain gnawing fear that you’ll discover, sentences into the thing, that writing a review is either going to be a painful process or something you’ll eschew all together for the sake of the friendship. So when you make that pact with someone directly, well… there’s no turning back, is there?

So when I got the news today that Mark’s review had posted, I approached it with bracing fortitude, hoping for the best but, mostly, wanting Mark to have felt comfortable enough to stay true to his word, no matter how the reading experience transpired. And I couldn’t have been more thrilled, pleased, delighted, honored, and really touched by what he had to say.

I’m leaving the whole review here, because I loved the depth with which he analyzed the narrative and shared his perspective. However, I have left the links to his sites above and below, so you can check them from time-to-time for his ongoing reviews and updates about his own work.

Thank you, Mark Barry, for being such an unabashed supporter of the literary arts… and those of us who love painting our creative pictures with them!

ASTP Nottingham Library Lorraine
Wiz Green and ATSP at the Nottingham Library

After The Sucker Punch: A Review

After The Sucker Punch (ATSP) is a fantastic novel.

I’m writing this because I know most of my readers are always on the lookout for a good book – and ATSP is a very, very good book.

The Context

I met the novel’s author, Lorraine Devon Wilke, two weeks ago through a lovely friend of mine, Orange County’s Brenda Perlin. A resident of LA, Lorraine came around the interview Cauldron to widen her exposure to a UK audience.

Out of respect, Lorraine made a gift to me of both her novel and short story “She Tumbled Down” and while I loved the short story, the novel is something else entirely.

An Indie novel, it is definitely in the top ten of the books (Trad or Indie), I have read (which is a fair number) since I started Green Wizard.

After reading twelve chapters on Kindle, I immediately logged on to Amazon and like some literary Victor Kiam, I bought the paperback.

I am glad I did. It is a magnificent paperback indeed.

The Paperback

I teach the odd hour of Creative Writing and Self Publishing, and last night, I took the paperback of ATSP to our latest group to demonstrate how to structure dialogue.

The group I teach are professionals, experienced diarists, bloggers, report writers who wish to learn about e-publishing and between them, they read 100-200 books a year.

Not one of them could tell that this was a self-published book.

Printed by Createspace and professionally edited, it is a beautiful piece of work to hold in your hand. ATSP would not be out of place in Waterstones (and, without getting political, it makes a total nonsense of the idea that self-published work is somehow inferior. Saying so would be an insult to this novel and its creative team).

The Review

ATSP is a family saga. Tessa, a dreamy, thirty-something, sometime artist/writer/drifter with aspirations to something better than her current humdrum life, attends the funeral of her father, Leo.

After the Wake, and while staying at her mother’s house, she reads one of his many journals.

What Leo wrote is so shocking, it changes Tessa’s life and the lives of everyone in her extended family.

Four factors mark Lorraine’s brilliant debut as something special.

Firstly, her characters. Each so individual, so distinctive and so well defined, you can tell who is talking without the character being named. That’s no mean feat. Secondly, the dialogue is crisp, sassy and real, patter so realistic, you can hear it taking place. Thirdly, the way Lorraine links and merges the historical comments Tessa reads in the journal into the real time narrative is shrewd and repays rereading.

Then, finally, there is Tessa herself, the novel’s protagonist. You may not like her – two days after completing the novel, I am completely ambivalent about her * – but she is real and you can follow her train of reasoning at all times.

None of her behaviour is extranormal and you can imagine doing the same things she does (and that’s not a necessarily recommendation).

You watch her progress and change. You understand her one minute, then you can’t comprehend what she’s up to the next. Then immediately after, you want to reach into the pages of the book and wag your finger at her. You live her deliberations and you can feel her confusion on your fingertips as you turn the page.

At no time does Tessa lapse into stereotype. She constantly surprises you and – whether you like her or not, you cannot stop following her trials and tribulations for a second.

The supporting cast is excellent. Her family, particularly the harassed Micheala, and the alcoholic brother, Ronnie, are similarly absorbing. Tessa’s long suffering boyfriend, the corporate sportswear schill David, struggles manfully to accommodate Tessa’s whys and wherefores before being completely overwhelmed by them in some of the novel’s saddest scenes.

Her relationship with best friends Katie and Ruby would satisfy any fan of chicklit, (and I quite fancied the hapless, heartbroken Ruby, in a Sir Lancelot kind of way), but it is Aunt Joanne who steals the show.

The Catholic Nun-cum-Therapist helps Tessa deal with the aftermath of the revelations unleashed by Leo’s journal and becomes by far the strongest foil for her increasingly self-destructive angst.

You long for her to reappear in the narrative – perhaps because she is the only person strong enough – and brave enough – to confront Tessa, whose self-absorption is relentless.

Contemporary Drama

Like the best contemporary fiction, nothing extraordinary happens.

People talk on the telephone (which happens a lot in this novel). Conversations take place in cars, in coffee bars, around the water cooler, on sofas, in the still life of the marital bed, the post-coital cigarette smoke still swirling between the blades of the fan rotating overhead.

There is virtually no action – just like real life.

The sheer joy of the ATSP is its very ordinariness. These are ordinary people going about their business, all of them affected to one degree or another by the portentous, unhinged rantings of Leo Curzio.

The richness of the everyday needs no explosions, because the revelations are the explosions.

A Christmas Conclusion

If you like contemporary work, I strongly recommend After The Sucker Punch.

Forget the e-book for once: Treat yourself to an early Christmas present and buy the paperback for seven quid or so. It is lustrous, with its cream pages, one and a half line spacing and comforting, airport-shelf heft.

It is a book which is written for paperback and meant to be read in bed; absorbed, over time, savoured by lamplight.

*Maybe its a man thing. 😀

UK readers buy ATSP here
US readers buy ATSP (in paperback) here.

_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _

Click here to access Green Wizard Publishing
Click here to access The Wizard’s Cauldron

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Visit www.lorrainedevonwilke.com for details and links to LDW’s books, music, photography, and articles.

With Fiona Mcvie: Just Two Girls Chattin’ About Books…

women over books

As I march forward in this exotic adventure called independent publishing, I find myself thrilled to discover just how passionate people remain about READING. When I was a young girl, reading was my escape, my entertainment, my world away, but as the noise and movement of ever advancing digital life has evolved, it wasn’t clear to me whether the lure of a good book (however it is delivered!) was still as powerful a draw. Seems it is. Good timing on my part, then, what with just now entering the fray with After The Sucker Punch, “She Tumbled Down,” and more to come!

So it was with great delight that I received a missive from Scottish book blogger, Fiona Mcvie (yes, with a lower case “v”!), whose site, Author Interviews, features wonderfully in-depth conversations with specific writers she reaches out to for one reason or another. She posted our “conversation” this week and I was happy to share perspective with her about books, the writing process, readers, even my favorite color! 🙂

I’ll send you over to her blog and hope you enjoy a little sit-down with two girls just chattin’ about books!

Fiona Mcvie @ Author InterviewsHere is my interview with Lorraine Devon Wilke

Image from Vintage Women on Pinterest

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Visit www.lorrainedevonwilke.com for details and links to LDW’s books, music, photography, and articles.

The Kindness of Strangers… Meet Brenda Perlin

Brenda Perlin

I don’t know Brenda Perlin. We’ve never met, we’ve never spoken; we’ve never even emailed each other (except for a Kindle gift book). I’ve connected with her through sites like Goodreads or Facebook, particularly a Facebook writers group called Master Koda, and though she’s a fellow writer, so far I’ve only read one of her books (a short story for kids called “Ty the Bull,” written with K.D. Emerson and Rex Baughman). Yet, despite this seemingly peripheral relationship, no one has done more to promote and raise a ruckus about my novel, After The Sucker Punch, than this woman. Which I find both astonishing and profound.

There are some artists so focused on their own work that they rarely look outside that narrow sphere to see what others around them might be doing. I have people in my Facebook circle who show up only to post their gig notices, theater schedules, release dates of their CDs/books/films/blogs, or calls-to-action for petitions, votes, and Kickstarter campaigns, but they rarely comment on or share similar posts of others and it seems clear they’re not paying one damn bit of attention to me! 🙂 Which is fine. They don’t have to. But still… I always wonder why they’re there in the first place.

This “disinterest syndrome,” in fact, at least per countless conversations I’ve had with other artists on the topic, often extends outside social media to impact even our closer circles of family and friends. We’re all busy, certainly, but one can’t help but notice the repeatedly unopened or unanswered emails about the new site, the art opening, or the release of a new book; the forgotten promises to leave a review or share the book/CD/film/art piece with known contacts in the industry; the lack of response to queries, promotions, and candid requests to “check out my (fill in the blank).” We all have those people around us (and they tend to be the ones sending “sincere pleas” to donate to their Kickstarter campaigns!).

Then there’s Brenda Perlin.

When my book first came out, I was lucky enough to have some wonderful friends and colleagues who’d read advance copies and left reviews on the Amazon page… which helped greatly with marketing and promotion. But the very first “stranger review” came from Brenda. I didn’t know who she was; it just said “Brenda” on the Amazon page, but it was a thoughtful, impassioned, and very specific review… the kind you revel in as a writer (she even quoted lines from the book!). I later figured out she was the “Brenda Perlin” in the Master Koda writers group to which I belonged and sent her a private Facebook message in thanks. She responded with such sincere appreciation for the book that I was additionally touched.

But she wasn’t done there. She wrote another review on Goodreads, shared information about the book on Pinterest, Twitter and other sites, and within days, I stumbled upon a post from her blog titled, “After the Sucker Punch…a Novel by Lorraine Devon Wilke rocks… and then some!” in which she not only included her Amazon review, but extrapolated further on the book, using a few very clever photos with the cover embedded in random places like bus stop banners, door hangers and urban billboards… like this one:

ATSP subway_photo art by Brenda Perlin

And, to top it off, before I could barely blink an eye after I’d posted my new short story, “She Tumbled Down,” at Amazon, Brenda had already downloaded it, read it, and left a review both there and at Goodreads.

To be honest, I was just blown away. No one before or since (at least not yet!) has made that kind of unsolicited effort to push my work out into the marketplace and I have no idea why Brenda was compelled to do so for me. But beyond her expressed appreciation of my work, I’ve come to realize it’s simply who she is, her very generous and thoughtful nature. She gets it.  She knows what artists need and want in terms of response to their work and she’s gracious enough to offer it. She has the consideration to step outside of herself to provide something of value to her fellow artists. And that’s a gift.

I’ve seen her reach out to many other authors to review their work, encourage them to keep going, and promote their promotions. She must read more than anyone on earth and always takes time to leave a meaningful review that focuses on the positive aspect of whatever she reads. She seems to know when a newbie need a boost, a journeyman could use a hand, or just how and when to tweet, click, share, or comment so that prime attention gets paid in all the right places. She’s like the Johnny Appleseed of indie writers!

I have not yet had the chance to read her other books beyond the short story mentioned above, but I wanted to do something to thank her for being who she is, to acknowledge just how grateful I am for her efforts on my specific behalf. That I can do by throwing a little light her way.

So please visit, “like,” click, download, or just say hello. She’s a rare breed in this crazy world of distraction and disinterest; one of those “strangers” whose kindness changes that status much more quickly than most!

Her blog: Brooklyn and Bo Chronicles
Facebook writer’s page
Twitter: Brenda Perlin
LinkedIn: Brenda Perlin
Amazon Author’s Page: Brenda Perlin

Photo of Brenda from her Facebook page.
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Visit www.lorrainedevonwilke.com for details and links to LDW’s books, music, photography, and articles.